A green family who likes foraging, hiking and history (My Moon-Shot)
Thursday, 19 December 2024
Very merry earwax
Sunday, 24 November 2024
Dead Bodies
Sometimes I wake in the wee small hours and fret. It is as if I have woken up completely,
except for my sense of proportion which is still firmly dormant. It was a relief to find there was an old
English word for these ‘worries before dawn’ – uhtceare. I am not alone – the existence of an Anglo
Saxon term shows others have shared this experience for at least a millennium,
and probably much longer.
When the worry is something simple, like something I must
remember to do, I have an effective remedy – I jot it down on a pad on my
bedside table and return to sleep.
On Tuesday morning I woke to my alarm, and although I couldn’t
remember writing anything in the night, out of habit I glanced at the pad. What I saw there shocked me.
‘Tell parents about dead bodies.’
This shocking memo meant nothing to me. I checked the handwriting. It was unmistakably mine. Had I been
sleep-writing in a nightmare? Was I
going crazy? I was so disturbed that I didn’t
even mention it to Nigel.
It was only hours later, when I sat down to prepare a lesson
that it finally clicked. I was planning
a museum trip for my school pupils, and there were human skeletons in one of
the galleries. Nowadays, one flags this up
in case it might upset somebody. With a
grunt of relief, I added a sentence about human remains to the letter due to be
sent out to parents.
At least now I could cross out ‘dead bodies’ from my list of
uhtceare.
Friday, 15 November 2024
Adding a little time travel to our trip
I read Edmund de Waal's 'The hare with amber eyes', the story of the rise and fall of the author's wealthy Jewish forbears, told via the vehicle of their collection of netsuke (tiny Japanese carvings). Charles Ephrussi was a connoisseur and art collector in the second half of the nineteenth century. The book includes a painting by Caillebotte which captured the atmosphere of the place where Charles lived, so when I spotted a Caillebotte exhibition at the Musee D'Orsay I was eager to go.
The lifestyle it portrayed was of wealthy men who had taken the decision to remain bachelors, not because they were gay (although some may have been), but out of a wish to remain unencumbered by domestic concerns and to pursue love affairs while avoiding responsibilities. The time allowed by such a lifestyle was spent by Caillebotte in painting and by Ephrussi in studying art.
They lived in the same neighbourhood - De Waal wrote about it and Caillebotte painted it.
The result was that for one glorious morning in the Musee d'Orsay I felt I could almost reach out and touch late 19th century Paris.