Enna is a high hilltop town with extraordinary views, like the
background of a Renaissance painting.
Just opposite our hotel was the delightful-looking church of
Santa Chiara, shining gold in the evening light.
‘Chiara - that’s my name in Italian!’
‘Let’s go in.’
The custodian of the church immediately took us under her
wing.
The walls had an unusual pattern of grey marble squares, each bearing either a name, or the word ‘ignoto’. But it was the floor which immediately caught my eye. Politely I decided not to mention it.
The custodian (who proudly told us she had been in post for 36
years) explained that the church had been used in
the aftermath of WWII as a war cemetery. As the winter snows melted, bodies
from the German, Italian and British armies had been revealed and were now
housed in these walls.
‘If they were Italian, we put their name on the tomb, if
not, ‘ignoto’ – ‘unknown’.’
Each of those grey marble squares was the end of a grave.
In the lunulae above
the tombs were glass mosaics of scenes from the war, including, as she pointed
out, one of Mussolini looking much more handsome than in life. My eyes flicked
to the floor again.
After the custodian had shown us a few more details, we put
something in the offerings box and left.
Once we were down the steps, I said, ‘Did you see the
floor?’
‘I certainly did. Swastikas – all over!’
We returned to our room and stared pensively out of the window at the little church. But although the view had not changed, it no longer seemed so delightful.






































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