A green family who likes foraging, hiking and history (My Moon-Shot)
Friday, 24 April 2026
SICILY: He marched me up to the top of the hill
Thursday, 23 April 2026
SICILY: Rape fountain
The first place we stayed in was Ortygia. Here a formidably
defensible island was lucky enough to have a reliable spring of pure fresh
water which emerged right next to the sea. In the spring’s origin myth,
Arethusa was one of the goddess Diana’s girl-gang of nymphs. In Arcadia,
Arethusa went to bathe in the river, but Alpheus, the god of that river fell in
love with her and pursued her. To help her escape, Diana turned her into a
rushing stream and sent her underground, finally emerging by the edge of the
sea at Ortygia. However, Alpheus pursued her by running beneath the sea until
he caught up with her at Ortygia and was still able to ‘mingle his waters with
hers’.
Yuk.
A fountain in the central Piazza Archimede celebrates the
whole sorry affair.
Next we went on to Enna, a hill town said to be the setting
for the myth of Hades and Persephone. In the town square, sure enough, there is
a fountain depicting Hades, King of the Underworld, seizing the beautiful young
Persephone in order to kidnap her.
Also yuk.
After that we stayed in Castelbuono. We went for a drink in the
old town square, and Nigel saw me staring at the simple unadorned water feature
in the centre.
‘What is it?’ he asked.
‘This town doesn’t have a rape fountain,’ I said, ‘I like it
already!’
Wednesday, 22 April 2026
SICILY: An Easter Sunday tradition
Sicily was for a long time under Spanish rule, and a Spanish tradition dating from the Inquisition has lived on at Enna. Each local church here sends out a group of its men, wearing the coloured robes of their church plus a pointed white hood. The idea is that these men are penitents and the hood is to nullify their identity and point their prayers to heaven. Their penitence takes the form of marching through the streets carrying a heavy float bearing the statue of their church’s saint.
These processions happened during Holy Week, so when we
arrived at Enna on Easter Saturday, the main spectacle was past. However, in Enna, there is a special
celebration on the evening of Easter Sunday. We joined the crowd of spectators
on the steps of the Duomo (cathedral).
We stood next to a woman who lived now in Trieste, but each
year returned to her old home and brought her children to watch the
processions. She spoke excellent English, and there was pride and affection in
her voice as she explained the tradition to us.
A statue of Jesus is marched down the hill by penitents, now
wearing their hoods rolled back. Another association of penitents carries Mary
up the hill. At the end, they break into a run as if Mary and Jesus are
thrilled to see one another again.
Once united, they are marched together down the hill. To
ensure it is not over too quickly, they march four steps forward, three steps
back, all the way to the west end of the Duomo (cathedral) and the ceremony
ends for another year with some of the crowd going for Mass in the Duomo.
Afterwards, we and the woman who had acted as our informal guide went our separate ways. However, whereas we are unlikely ever to see this again, I am certain she will return to her childhood home again next Easter to witness the parade.
Tuesday, 21 April 2026
That was a little odd
Enna is a high hilltop town with extraordinary views, like the
background of a Renaissance painting.
Just opposite our hotel was the delightful-looking church of
Santa Chiara, shining gold in the evening light.
‘Chiara - that’s my name in Italian!’
‘Let’s go in.’
The custodian of the church immediately took us under her
wing.
The walls had an unusual pattern of grey marble squares, each bearing either a name, or the word ‘ignoto’. But it was the floor which immediately caught my eye. Politely I decided not to mention it.
The custodian (who proudly told us she had been in post for 36
years) explained that the church had been used in
the aftermath of WWII as a war cemetery. As the winter snows melted, bodies
from the German, Italian and British armies had been revealed and were now
housed in these walls.
‘If they were Italian, we put their name on the tomb, if
not, ‘ignoto’ – ‘unknown’.’
Each of those grey marble squares was the end of a grave.
In the lunulae above
the tombs were glass mosaics of scenes from the war, including, as she pointed
out, one of Mussolini looking much more handsome than in life. My eyes flicked
to the floor again.
After the custodian had shown us a few more details, we put
something in the offerings box and left.
Once we were down the steps, I said, ‘Did you see the
floor?’
‘I certainly did. Swastikas – all over!’
We returned to our room and stared pensively out of the window at the little church. But although the view had not changed, it no longer seemed so delightful.












