Recently, I realised that with so much revision, we had
(justifiably) gotten a bit culturally flabby, so we scoured the theatre
schedules, using only the strictest criteria – the tickets weren’t to cost too
much.
We went to see “The Woman in Black” at the Fortune Theatre,
London. Carenza’s boyfriend, Sasoon, had
been before and thoughtfully warned us that it was terrifying.
Possibly he didn’t know that, unlike Perran who is a buff of
scary films, I am not good with terror.
We were in cramped seats in the upper circle, at such a
steep pitch that if I had leapt out of my skin, I would also have leapt out of
the gallery and landed on the people below.
Imagine the very real screams when they realised that the huge mass
descending swiftly from above wasn’t just another special effect.
So I held tight to Nigel and Perran’s hands, glancing
nervously behind me every so often. It
was thrilling how much suspense the three players managed to build up over a
piece that was largely an MR James-style narrative, using only their own acting
skills, a bare set and very low-tech
special effects.
(And presumably also how much profit, for exactly the same
reasons.)
Luckily, I didn’t disgrace myself. Sasoon, who came too, reckoned the effects
are less scary up in The Gods. All I can
say is, hooray for the cheap seats!
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